GNU Solfege Manual V3.9.0

Tom Cato Amundsen


                
            

This manual describes version 3.9.2 of GNU Solfege.

É garantida a permissão para copiar, distribuir e/ou modificar este documento sobre os termos da Licença Pública Geral GNU como publicada pela Free Software Foundation; versão 2 ou qualquer outra posterior. O texto inteiro da Licença é disponível em Apêndice A, GNU General Public License

Feedback

Para relatar um bug ou fazer uma sugestão sobre a aplicação GNU Solfege ou este manual, favor visitar SITS (Solfege Issue Tracking System) ou enviar um email para .

Histórico de Revisões
Revisão GNU Solfege Manual V 3.9.22005-10-22

Tom Cato Amundsen


Índice

1. Introdução.
Bugs
Recursos online
Download Solfege
Listas de email
Janela de preferências
Midi
Usuário
Interface
Praticar
Áudio
Training set editor
Ear training test print-out editor
2. Seções de ajuda para os exercícios
Intervalo harmônico
Configuração
Atalhos de Teclado
Intervalo melódico
Configuração
Atalhos de Teclado
Cantar intervalo
Configurar
Atalhos de Teclado
identificar o acorde
Atalhos de Teclado
identificar o acorde
Atalhos de Teclado
Cantar acorde
Atalhos de Teclado
Ritmo
Atalhos de Teclado
Tap the rhythm
Dicção
Atalhos de Teclado
Escalas
Atalhos de Teclado
Entonação
Atalhos de Teclado
Identificar a nota
Configuração manual
Batidas por minuto
Atalhos de Teclado
Cantar 12 notas aleatórias
Atalhos de Teclado
Nome de intervalos
Dicção de progressão harmônica
3. Music theory
Scales
Intervals
Seconds
Thirds
Fourth
Fifth
Sixths
Sevenths
Inverting intervals
4. Extending GNU Solfege
Introduction
Lesson files
File encoding
Comments
Types
Global variables
Lesson file contents
Header block
Question block
music objects
Functions
Operators
The harmonicinterval module
The melodicinterval module
The singinterval module
The compareintervals module
The idbyname module
The singanswer module
The rhythm module
The rhythmtapping module
The rhythmtapping2 module
The idtone module
The chord module
The dictation module
The singchord module
The nameinterval module
The elembuilder module
The element block
The header block
The question block
Midi instrument names
Percussion instrument names
A. GNU General Public License
Preamble
TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION
Section 0
Section 1
Section 2
Section 3
Section 4
Section 5
Section 6
Section 7
Section 8
Section 9
Section 10
NO WARRANTY Section 11
Section 12
How to Apply These Terms to Your New Programs
B. Não realmente documentação...
Não realmente documentação...
Bem vindo ao GNU Solfege

Lista de Figuras

3.1.
3.2.
3.3.
3.4.
3.5.
3.6.
3.7.
3.8.
3.9.
3.10.
3.11.
3.12.

Capítulo 1. Introdução.

Bugs

Há duas maneiras de relatar bugs ou pedir um novo recurso relacionado À aplicação GNU Solfege ou o manual do usuário: enviar um email para ou abrir um novo registro de bug em SITS (Solfege Issue Tracking System). Perguntas gerais e patches devem ser enviados para .

Por favor, faça seu relatório de bug detalhadamente. ''Estou obtendo uma mensagem de erro numa janela quando tento iniciar o programa'' não é útil para mim. Quando relatar bugs:

  • Diga-me qual versão do Solfege você roda. Cheque se uma versão mais nova está disponível. Se você somente quer rodar versões estáveis, então você não precisa testar as novas versões de desenvolvimento.

  • Qual sistema operacional você está rodando? Versão?

  • Descreva exatamente o que você está fazendo quando o erro acontece.

  • Envie uma cópia exata das mensagens de erro. Elas fazem sentido para o autor do Solfege mesmo se você achar que elas são criptografadas.

Recursos online

A página web de Solfege é http://www.solfege.org. Há também uma página menor com mais informação estática em http://www.gnu.org/software/solfege/.

Download Solfege

O código fonte está disponível em http://ftp.gnu.org/gnu/solfege. Se você é aventureiro, você pode tentar as versões instáveis (com bugs, mas podendo conter novas características) em http://alpha.gnu.org/gnu/solfege. Estas versões podem conter mais bugs, mas você tem a chance de testar novas funcionalidades e encontrar e relatar erros.

Código fonte e alguns binários pré-compilados estão disponíveis em http://sourceforge.net/project/showfiles.php?group_id=1465.

Se você usa Debian pode apt-get install solfege para baixar e instalar o programa.

Listas de email

Baixa atividade, moderada e será usada para anunciar lançamentos estáveis do Solfege. (Inscrição | Arquivo)

Se quiser relatar problemas instalando ou rodando Solfege, ou tem questões, comentários ou idéias para melhorar Solfege, favor escrever para esta lista em vez de usar o fórum de mensagens do Sourceforge ou o autor diretamente. Você pode escrever para solfege-devel sem se inscrever. (Inscrição | Arquivo)

O endereço padrão GNU para enviar relatório de bugs. Esta lista está atualmente redirecionada para

Janela de preferências

Midi

Screenshot da página 'Midi' da janela de preferências

Tempo

Selecionar o tempo (batidas por minuto) para a música e os arpejos

Instrumento preferido

Selecionar o instrumento midi e a velocidade (volume de cada nota).

Instrumentos de cordas

Solfege pode usar três instrumentos diferentes quando tocando acordes. Um para a nota mais alta, outro para as notas do meio e outro para as notas do baixo. Isto pode ser de ajuda se você achar difícil ouvir notas individuais em acordes.

Usuário

Screenshot da página 'Usuário' da janela de preferências.

Solfege usa essas informações em alguns exercícios onde o usuário deve cantar.

Nota mais baixa/mais alta que o usuário pode cantar

Estes botões dizem ao Solfege a nota mais baixa e a mais alta que o usuário pode cantar. Estes valores são considerados somente aconselháveis pelo programa. Se por exemplo os valores estão selecionados de ''c'' até ''c'' e você configurou o programa para pedir para você cantar pequenos e grandes décimos, você poderá cantar notas fora desta faixa.

Sexo

Solfege precisa saber se o usuário é homem ou mulher quando cria algumas questões onde o usuário cantará a resposta. Isto é porque a voz masculina soa uma oitava mais baixo que a voz feminina.

Interface

Screenshot da página 'Interface' da janela de preferências

Programas externos

Cliente de email: define o comando que inicia o cliente de email.

The sound convertor programs are used to export exercises to sound files. You should enter the full path to the program. Solfege will replace %(in)s with the name of the file to convert. %(out)s will, if used, be replaced with the name of the file to convert to.

Outros

Janela principal redimensionável: permite que o usuário redimensione a janela principal do Solfege.

Modo expert: permite ao usuário selecionar quais questões dos arquivos de lição praticar. Nenhuma estatístia é armazenada no ''modo expert''.

Escolher idioma: Você pode manualmente escolher o idioma se quiser, se Solfege não detectar coretamente, ou se você quer rodar o Solfege com um idioma diferente que o do seu sistema operacional

Praticar

Screenshot da página 'Praticar' da janela de preferências.

Não permitir nova pergunta antes que a anterior seja respondida: desabilita o botão 'Novo' até que a pergunta seja respondida corretamente ou o usuário clique em 'Resposta'

Repete a pergunta se a resposta estava errada: Toca o som novamente quando o usuário dá uma resposta incorreta.

Áudio

Screenshot da página 'Áudio' da janela de preferências

Midi

Há três maneiras de tocar som:

Sem som:

Use este para depuração ou quando estiver portando Solfege. Nenhum som é tocado, os eventos midi são mostrados na saída padrão.

Usar dispositivo

A melhor escolhe é geralmente /dev/music porque tem o melhor suporte para instrumento de percussão. /dev/sequencer2 é geralmente um link simbólico para /dev/music. Se seu sistema não possui /dev/music, você pode criá-lo com o seguinte comando com root (se você roda o kernel linux versão 2.2 ou posterior):

cd /dev mknod music u 14 8

Usar tocador midi externo:

Isto pode ser útil para portar para sistemas que não usam OSS, ou se você tem um mau sintetizador midi na sua placa de som e quer usar timidity.

Opções extras

Selecione o botão ''Minha placa de som é Sound Blaster AWE32, AWE64 ou pnp32'' se você quer este tipo de placa de som. Isto o dará sua percussão real no exercício de ritmos. Ainda é necessário precisa ser adicionado para outras placas de som. Esta opção é somente necessária se você usar /dev/sequencer para tocar sons midi.

Training set editor

Screenshot of the trainingset-editor window.

The training set editor let you create MIDI/WAV/MP3/OGG files of questions so that you can upload them to your pda, cell phone or MP3 player. A solution sheet will be generated for you to print out. Then you can let the MP3 player play the tracks by random order, and you can use the solution sheet to check if you recognised the music correctly.

You use the training set editor to define which exercises to generate. You can save your definition in a file for later use. Each time you click Export a new set of files are generated in a directory of your choice. You have to manually upload the generated sound files to you mobile device.

The program let you generate questions from as many lesson files as you like, but the most typical usage would be to generate lots of questions from just a single, or just a few files.

The programs used to convert between the different file formats are defined in Gui page of the preferences window. Please check the definitions there if you have problems converting the MIDI files to WAV, MP3 or OGG format.

Table headings explained

Count

The number of questions to generate from the lesson file.

Repeat

The number of times to repeat each question.

Delay

How long delay it will be between the questions. Measured in the length of quarter-notes.

Ear training test print-out editor

This tool is available on the File menu. Use it to create ear traing tests to print out on paper. Solfege will generate two versions of the document: one for the students to complete, and one with the correct answer already written.

This feature is not completed yet, so this document tries to describe what we have so far. Expect a more polished version before the next stable release. Please send comments, suggestions and bug report so the mailing list: .

The Add button will pop up a menu with all exercises from the active learning tree that this tool can create exercises from. When writing this, the exercise modules idbyname, melodicinterval and harmonicinterval. From lesson files written for the idbyname module, only chord, rvoice and voice music objects are supported.

Capítulo 2. Seções de ajuda para os exercícios

Intervalo harmônico

Screenshot do programa praticando intervalos usando a interface de botões.

Este exercício é um dos exercícios que você pode usar para praticar intervalos. O conceito é bastante simples: Você pressiona o botão ''Novo intervalo'' para tocar um intervalo aleatório, e então você deve dizer que intervalo era.

Se você está usando a interface de botões, então você pode clicar com o direito nos botões para ouvir o intervalo que eles representam.

Configuração

Na página de configuração do exercício, há uma caixa onde você pode escolher maneiras diferentes de responder a questão. Atualmente há um piano, guitarra, baixo e alguns tipode de acordeão em adição à interface padrão de botões. Abaixo está uma screenshot mostrando a interface piano.

Screenshot do programa praticando intervalos usando a interface de botões.

Atalhos de Teclado

  • Novo intervalo: Alt-n

  • Repetir: Alt-r

  • Repetir melódico: Alt-m

  • Resposta: Alt-g

Segunda menor: 1Quarta justa: 2Sexta maior: 3Nona menor: 4
Segunda maior: qTritone: wSétima menor: eNona maior: r
Terça menor: aQuinta justa: sSétia maior: dDécima menor: f
Terça maior: zSexta menor: xOitava perfeita: cDécima maior: v

Intervalo melódico

Screenshot do programa praticando intervalos usando a interface de botões.

Este exercício cria intervalos aleatórios e você deve tenmtar identificá-los

Se você está usando a interface de botões, então você pode clicar com o direito nos botões para ouvir o intervalo que eles representam.

Configuração

Na página de configuração do exercício, há uma caixa onde você pode escolher maneiras diferentes de responder a questão. Atualmente há um piano, guitarra, baixo e alguns tipode de acordeão em adição à interface padrão de botões. Abaixo está uma screenshot mostrando a interface piano.

Screenshot do programa praticando intervalos usando a interface de botões.

Atalhos de Teclado

  • Nova questão: Alt-n

  • Repetir: Alt-r

  • Resposta: Alt-g

Segunda menor: 1Quarta justa: 2Sexta maior: 3Nona menor: 4
Segunda maior: qTritone: wSétima menor: eNona maior: r
Terça menor: aQuinta justa: sSétia maior: dDécima menor: f
Terça maior: zSexta menor: xOitava perfeita: cDécima maior: v

Cantar intervalo

Screenshot do exercício cantar intervalo.

Neste exercício, Solfege mostrará um ou mais intervalos, e você deve cantá-los. Infelizmente, ainda não é possível cantar em um microfone e deixar Solfege decidir se você cantou correto, então você deve decidir sozinho se está correto ou errado.

Configurar

O programa tentará fazer as questões onde todas as notas estão dentro da faixa que o usuário consegue cantar, como configurado na janela de preferências. Às vezes, não é possível manter a questão dentro desta faixa, por exemplo, quando o exercício está configurado para criar muitos intervalos onde todos os intervalos sobem.

Atalhos de Teclado

  • Novo intervalo: Alt-n

  • Novo intervalo, último estava correto: Alt-n

  • Novo interval, último estava errado: Alt-w

  • Repetir primeira nota: Alt-r

  • Tocar nota: Alt-p

  • Tocar última nota: Alt-l

identificar o acorde

Screenshot do programa.

O propósito deste exercício é identificar o acorde sendo tocado.

Comece o exercício pressionando Novo. Solfege então tocará um acorde, e você deve identificá-lo clicando em um dos botões abaixo da pauta vazia.

Se você acertar, o programa mostrará o acorde na pauta e mostrará a mensagem "Correto" na barra de estados.

Se você errar, a mensagem "Errado" será mostrada na barra de status.

Atalhos de Teclado

  • Novo acorde: Alt-n

  • Repetir: Alt-r

  • Repetir arpejo: Alt-a

  • Resposta: Alt-g

identificar o acorde

Screenshot do programa.

Esta página é uma página de ajuda genérica para todos os exercícios escritos usando o módulo de exercícios chord. Estes exercícios podem perguntar o usuário por três coisas: tipos de acorde, inversão e nota mais aguda. A idéia é que você responda em três passos:

  • Identificar o tipo de acorde

  • Qual é a inversão?

  • Qual nota é a mais alta no acorde?

É importante que você tome tempo, talvez cantar o acorde e identificar o tipo de acorde antes de tentar encontrar a inversão.

Note que é também possível que um exercício somente pergunte pelo tipo de acorde e inversão, ou mesmo somente a inversão e a nota mais aguda.

Atalhos de Teclado

  • Novo acorde: Alt-n

  • Repetir: Alt-r

  • Repetir arpejo: Alt-a

  • Resposta: Alt-g

Cantar acorde

Screenshot do programa.

Se você está conduzindo um coral, você tem que cantar as notas iniciais para três vozes diferentes, e se você não tem um piano perto, você tem que usar um diapasão. Se você for homem, cantará as notas para as mulheres, uma oitava abaixo, e visa versa.

O programa tocará a nota Lá (440 Hz) para você, e mostrará um acorde que você precisa cantar. Solfege ainda não tem suporte para um microfone, então você terá que decidir sozinho se sua resposta está correta ou não.

Atalhos de Teclado

  • Novo: Alt-n

  • 440hz: Alt-z

  • Repetir resposta: Alt-p

Ritmo

Screenshot do programa rodando com o exercício de acordes

O programa toca um ritmo gerado aleatoriamente, e o usuário deve reproduzir o ritmo. O usuário entra o ritmo clicando nos botões representando elementos rítmicos diferentes.

Quando você entrar elementos rítmicos o bastante, Solfege checará sua resposta. Se tudo estiver correto, ele mostrará uma carinha feliz, senão uma carinha triste, e os ritmos errados serão marcados.

Se algo da sua resposta estava errado, tudo desde o primeiro elemento errado será removido (preservando qualquer ritmos corretos no início da sua resposta) quando você clica na carinha triste, ou quando você clica nos botões rítmicos no topo da página.

Você pode clicar no botão 'Tocar' para ouvir sua sugestão.

As questões feitas por este exercício estão atualmente selecionando elementos rítmicos aleatoriamente. Esta não é a melhor maneira de fazer isso, e esperamos que uma maneira mais inteligente de gerar questões seja feita em alguma versão posterior.

Atalhos de Teclado

  • Novo: Alt-n

  • Repetir: Alt-r

  • Resposta: Alt-g

  • Voltar: Backspace

Tap the rhythm

The program will play a randomly generated rhythm, and the user should reproduce the rhythm. The user enters the rhythm by tapping on the button labeled Tap here.

Dicção

Screenshot do programa rodando um exercício de dicção.

Este exercício é chamado o exercício de dicção, mas se os arquivos de lição necessários são escritos, ele pode ser usado de várias maneiras:

  • Você pode deixar Solfege tocar alguma música para você que deve escrevê-la no papel. Clique nos botões com uma semínima para repetir partes menores da música. Você tem que clicar no botão 'Mostrar' e checar suas notas por si mesmo para ver se cometeu algum erro.

  • You can use this exercise to practise sight singing: When you start the exercise, press Show and then try to sing the music. Then you can use the Play the whole music button or the quarter note buttons to let the program play the music. You have to decide yourself if you think you succeded.

Atalhos de Teclado

  • Tocar a música inteira: Alt-p

  • Mostrar: Alt-s

Escalas

Escalas são um assunto complexo. Por exemplo o lídio grego (C-D-E-F-G-A-B-C) é diferente do lídio medieval e moderno (C-D-E-F#-G-A-B-C). Você pode ler sobre todas as escalas usadas no GNU Solfege aqui.

Solfege tem três variantes de exercícios de escalas

  • Solfege tocará uma escala, e você deve identificar a escala clicando no botão com o nome da escala.

  • Solfege tocará uma escala, e você deve identificar a estrutura da escala. Você será apresentado a uma coleção de botões com números de '1', '2' e '3'. Estes números representam os intervalos segunda menor, segunda maior e terça menor que estão entre as notas da escala.

  • Solfege tocará uma escala, e você deve identificar o grau. Por exemplo, Solfege pode pegar a escala natural menor e tocá-la a partir de qualquer uma das notas da escala, e você precisa dizer de qual nota começou.

Atalhos de Teclado

  • Novo: Alt-n

  • Repetir: Alt-r

  • Repetir devagar: Alt-s

  • Resposta: Alt-g

Entonação

Screenshot do programa.

In this exercise, Solfege will play a interval, and you should tell how the interval is intonated. You do this by clicking on one of the buttons labeled 'too small', 'pure' or 'too large'. It is also possible that one of these three buttons are missing

Atalhos de Teclado

  • Novo: Alt-n

  • Repetir: Alt-r

  • Resposta: Alt-g

  • Mostrar: Alt-s

Identificar a nota

Screenshot do programa.

Este é um exercício combinado de memorizar notas e intervalos. Algumas pessoas acreditam que este tipo de exercício pode dar a você a perfeita afinação (afinação absoluta), mas eu não acredito.

O básico é: o programa toca uma nota e você precisa identificá-la comparando com a última nota tocada por você.

Para começar, o programa tocará uma nota e mostrará seu nome na barra de estados. Você identifica as notas clicando no teclado de piano ou usando os atalhos de teclado que são as letras escritas em cada tecla.

Clique com o direito nas teclas do piano para ouvir uma nota sem realmente adivinhá-la. (Alguns vão chamar isto de burlar...)

Configuração manual

You can configure the idbyname exercise as you like if you select Idtone from the "Configure yourself" submenu of the "Misc" menu.

Há varias maneiras que você pode fazer este exercício. Pessoalmente, eu não uso este exercício muito, e as seções abaixo são somente sugestões.

Nota por nota.

Start with only the notes c-d-e at weight 1. When your score is at least 96% correct, you add the tone f and continue. The menu "Misc->Idenify tone", has exercises that will add one and one tone until you practise with all 12 tones.

Heavy A

'Heavy A' describes another way to practise. It require that you select 'Expert mode' on the 'Practise' page of the preferences window. (We hope to get rid of 'Expert mode' before we release Solfege 3.2).

Configure with the tone a at weight 11 (or higher) and the rest of the tones at weight 1. This way the program will play the tone a very often, so you will remember the tone, and then you use a as a reference tone to identify the other tones. When you have practised a while, you can reduce the weight of a to make the exercise harder.

Configurar

No topo da página de configuração, você diz ao programa quão importante as notas diferentes são. Se você por exemplo der à nota 11 pontos e à pausa 1 ponto cada, então (11+11*1)/11*100 = 50% das notas aleatórias serão um a.

Abaixo você escolhe quais oitavas as notas aleatórias podem ser tiradas.

Então você pode escolher se Solfege deve dar a você uma nova questão automaticamente quando você tiver resolvido a anterior.

No quadro abaixo você pode escolher algumas opções auto-explicativas sobre o que acontece se você responde errado.

Os atalhos de teclado podem ser configurados no arquivo $HOME/.solfegerc.

Batidas por minuto

O programa tocará um tempo, como um metrônomo. Você deve tentar adivinhar quantas batidas por minuto são tocadas. Cada botão representa um tempo, e o programa tocará somente em tempos que tem um botão com texto negrito. Clique com o direito em botões que mudam o estado de um tempo.

Nota: o ritmo depende da função gtk timeout_add para tocar o ritmo, então não é muito preciso.

Atalhos de Teclado

  • Novo tempo: Alt-n

  • Resposta: Alt-g

Cantar 12 notas aleatórias

Neste exercício, o programa mostrará todas as 12 notas na escala em uma ordem aleatória e tocar a primeira. Então você deve cantar todas as notas e ver se a última nota está certa. Então isso é mais semelhante a um exame de canto e leitura do que um exercício de aprender a cantar intervalos.

Atalhos de Teclado

  • Novo: Alt-n

  • Tocar primeira nota: Alt-p

  • Tocar última nota: Alt-l

  • Tocar todas: Alt-a

Nome de intervalos

Screenshot do programa praticando intervalos usando a interface de botões.

Neste exercício, Solfege mostrará e tocará um intervalo, e você deve identificar o intervalo. Este é um exercício de teoria musical, e não um exercício de treino de audição. Para aprender a nomear intervalos, você deve ler “Intervals”.

Identifique o intervalo clicando no botão dizendo o nome específico e o nome genérico.

Dicção de progressão harmônica

Screenshot do programa.

Neste exercício, Solfege tocará alguma música, e deve precisar clicar nos botões para construir uma representação das progressões harmônicas no exercício.

Capítulo 3. Music theory

Scales

Davide Bonetti has contributed a large set of scale exercises and some pages describing all the scales. You can see the pages here.

Intervals

In music theory we use the word interval when we talk about the pitch difference between two notes. We call them harmonic intervals if two tones sound simultaneosly and melodic intervals if they sound successively.

Interval names consist of two parts. Some examples are "major third" and "perfect fifth". In Walter Pistons "Harmony" the two parts are called the specific name and the general name part. Wikipedia talk about interval quality and interval number. I have seen people talk about an intervals numerical size. I am a little unsure what the best terms to use are, because english is my second language. Comments, and improvements to this article, are very welcome.

You find the general name by counting the steps on the staff, ignoring any accidentals. So if the inteval you want to name goes from E to G#, then we count to 3 (E F G) and see that the general name is third.

The specific name say the exact size of the interval. Unisons, fourths, fifths and octaves can be diminished, pure or augmented. Seconds, thirds, sixths and sevenths can be minor, major, diminished or augmented. A minor interval is one semitone smaller than a major interval. A diminished interval is one semitone smaller than a pure or a minor interval, and a augmented interval is one semitone larger than a pure or major interval.

Accidentals change the size of intervals. The interval becomes one semitone larger if you add a sharp to the highest tone or a flat to the lowest tone. And it becomes one semitone smaller if you add a flat to the highest tone or a sharp to the lowest tone. In the following sections naming of the intervals will be shown in greater detail.

Seconds

Seconds are easy to recognise: the two notes are neighbours on the staff. One note is on a staff line, and the other one is in the space above or below. A minor second is one semitone step, also called a half step. A major second is two semitone steps, also called a whole step.

To learn to identify seconds, you first have to learn which seconds there are between the natural tones. As you can see in Figura 3.1, “”, only the intervals E-F and B-C are minor seconds. The rest are major intervals. You can check that Figura 3.1, “” is correct by looking at a piano. You will see that there are no black keys between E and F and between B and C.

Figura 3.1.


If the second have accidentals, then we have to examine them to find out how they change the size of the interval. Let us identify a few intervals!

Figura 3.2.


We remove the accidental from the interval in Figura 3.2, “” and see that the interval F-G is a major second. When we add the flat to the highest tone, the interval becomes one semitone smaller, and becomes a minor second.

Figura 3.3.


We remove the accidentals, and see that the interval A-B is a major second. You still do remember Figura 3.1, “”, don't you? Then we add the flat to the A, and the interval become a augmented second. And when we add the flat to the B, and the interval becomes a major second.

Figura 3.4.


We remove the accidentals, and see that the interval E-F is a minor second. When we add a flat to the lowest tone, the interval becomes one semitone larger, and becomes a major second. And when we add a sharp to the highest tone, the interval becomes one semitone larger, and becomes an augmented second.

Thirds

A minor third is one minor and one major second, or three semitones. A major third are two major seconds, or four semitone steps. Figura 3.5, “” show the thirds between all the natural tones. You should memorise the major intervals, C-E, F-A and G-B. Then you know that the other four intervals are minor.

Figura 3.5.


Then you examine the accidentals to see if they change the specific name. This is done exactly the same way as for seconds.

Fourth

A pure fourth is 2½ steps, or two major seconds and a minor second. Figura 3.6, “” show all fourths between natural tones. You should memorise that the fourth F-B is augmented, and that the other six are pure.

Figura 3.6.


Fifth

A pure fifth is 3½ steps, or three major seconds and a minor second. Figura 3.7, “” show all fifths between natural tones. You should remember that all those intervals are pure, except B-F that is diminished.

Figura 3.7.


If the interval has accidentals, then we must examine them to see how they change the size of the interval. A diminished fifth is one semitone smaller than a pure interval, and a augmented fifth is one semitone larger. Below you will find a few examples:

Figura 3.8.


We remember from Figura 3.7, “” that the interval B-F is a diminished fifth. The lowest tone in Figura 3.8, “” is preceded by a flat that makes the interval one semitone larger and changes the interval from a diminished to a pure fifth.

Figura 3.9.


We know from Figura 3.7, “” that interval E-B is a perfect fifth. In Figura 3.9, “” the E has a flat in front of it, making the interval augmented. But then the B is preceded by a doble flat that makes the interval two semitone steps smaller and changes the interval to a diminished fifth.

Sixths

Sixths are easiest identified by inverting the interval and identifying the third. Then the following rule apply:

  • If the third is diminished, then the sixth is augmented

  • If the third is minor, then the sixth is major

  • If the third is major, then the sixth is minor

  • If the third is augmented, then the sixth is diminished

If you find inverting intervals difficult, then you can memorise that the intervals E-C, A-F and B-G are minor. The other four are major. Then you examine the accidentals to see if they change the specific name. This is done exactly the same way as for seconds.

Figura 3.10.


Sevenths

Sevenths are identified the same way as sixths. When you invert a seventh, you get a second.

If you find inverting intervals difficult, then you can memorise that the intervals C-B and F-E are major. The other five are minor. Then you examine the accidentals to see if they change the specific name. This is done exactly the same way as for seconds.

Figura 3.11.


Inverting intervals

You invert an interval when you move the lowest tone of an interval one octave higher or the highest tone one octave lower. The general name changes this way:

  • Second becomes seventh.

  • Third becomes sixth.

  • Forth becomes fifth.

  • Fifth becomes fourth.

  • Sixth becomes third.

  • Seventh becomes second.

The specific name changes this way:

  • Diminished becomes augmented.

  • Minor becomes major.

  • Perfect stays perfect.

  • Major becomes minor.

  • Augmented becomes diminished.

Below are two examples, a major third is inverted and becomes a minor sixth, and a minor seventh is inverted and becomes a major second.

Figura 3.12.


Capítulo 4. Extending GNU Solfege

Introduction

GNU Solfege is written so that it can easily be extended, even if you do not know any computer programming. The steps are:

  • Create a lesson file.

  • Create a learning tree for your own lesson file. You do this only once.

  • Add the lesson file to the learning tree.

Read “Lesson files” for details on creating lesson files. The easiest way to get started is to take one of the existing lesson files, and modify it. The lesson files included in Solfege are stored in a directory names lesson-files. The exact location of this directory depends on your operating system and show you have installed the program. A few suggestions are C:\Program files\GNU Solfege, /usr/share/solfege, /usr/local/share/solfege or ~/.local/share/solfege.

You create a learning tree by opening the learning tree editor. Select Learning tree from the Edit menu. Then click the New button and enter a file name. The file will be stored in a directory named .solfege/learningtrees in your home directory.

Then you create a menu and a submenu with the learning tree editor, and finally adds the lesson file to the selected submenu by clicking the Add lesson button.

Lesson files

In GNU Solfege, each exercise is created by a lesson file interpreted by one of the exercise modules.

If you create your own lesson files, you should save them in a directory named lessonfiles in your home directory. On MS Windows the directory is probably C:\Documents and Settings\yourusername. To be sure, you can search for the file .solfegerc. The directory lessonfiles should be created in the same directory as .solfegerc. Then you should add your lesson file to the menus. You do this with the learning tree editor available on the Edit menu.

Exercise modules

harmonicintervals

Train harmonic intervals.

melodicintervals

Train one or more melodic intervals.

singinterval

This is an exercise where the program display an interval and play the first tone. Then the user should sing the interval, and then click a button to hear the correct answer. There is no microphone support yet.

idbyname

This is a very generic exercise. In its most basic form, the program will play some sound, and you have to select among several buttons that in some way represents the music.

chord

The chord module act as a specialized idbyname module. The difference is that with the chord module you can write lesson files where the user should tell what inversion the chord is in, and what the top tone is.

chordvoicing

A two-step exercise. First you should identify the chord. Then you should stack the tones in the chord in the correct order.

compareintervals

Solfege plays two intervals, and you should say which one is largest.

rhythm

A simple rhythm exercise. Solfege will randomly generate rhythm patterns that the user should recreate by clicking on buttons.

dictation

harmonicprogressiondictation

idtone

identifybpm

twelvetone

singchord

File encoding

Solfege by default expect the content of lesson files to be in UTF-8 encoding. gedit is a nice little editor that let you edit unicode files.

If you don't like unicode, you can tell Solfege that the file has another encoding by inserting a special comment line as the first line of the file. The following example set the charset to ISO 8859-1, a charset commonly used in many west-european languages:

# -*- coding: iso-8859-1 -*-

Russians might want to use koi8-r:

# -*- coding: koi8-r -*-

The program use the python libs to convert to unicode, so it should understand almost any encoding you can think of. If you see some characters are missing, for example when the name of questions are displayed on buttons, then most likely you have done something wrong with the encoding.

Comments

Everything after # on a line is ignored. Example:

# This line is ignored. The next line is not.
question { bla bla }

Types

Strings

Strings are quoted with the " character. Example:

"this is a string"

Use tripple quotes for strings that contain line breaks, or if the string itself has to contain the " character:

description = """<h1>Long desription<h1> This lessonfile need
very much descriptions. Qoutes (") are ok here. bla bla bla"""

NB: All strings have to be unicode strings. If you get error messages like this one:

In line 21 of input: does not recognise this string ';lt;' as a valid token.'
(line 20): question {
(line 21): question {
(line 22):   name = _("Ionia�)

then you must check the encoding of your file, and maybe you should read “File encoding”. You can change the encoding of a file using the iconv program:

iconv -f YOUR_ENCODING -t utf8 your.file

Tempo

The tempo of music is entered as bpm/beatlen. The following example will set the tempo to 120 beats per minute, each beat being a quarter note.

tempo = 120/4

Global variables

Global variables can save you a few key strokes.

s = "\score\relative c'{ %s }
question {
# instead of music = music("\score\relative c'{ c d e f g2 g2 }") 
music = music(s % "c d e f g2 g")
}

Lesson file contents

A lesson file consist of one header block and zero or more question blocks:

header {
 ASSIGNMENT
 ASSIGNMENT
 ...
}
question {
 ASSIGNMENT
 ...
}

Header block

The header block can be placed anywhere in the file, but by convention it should be the first block in the file.

Variables shared by many exercise modules

module

Tell what execise module that will run the lesson file. This variable is requried for all lesson files. (The variable was added in Solfege 2.9.0 where it replaced the content variable.). Example:

module = idbyname
lesson_id

Each file need a unique identifier. The identifier can be any string you like, and if you don't add one, Solfege will add one for you. Solfege will also offer to create a new lesson_id if you have two files with identical lesson_id. Example:

lesson_id = "5b30c9ae-09f1-40b3-9333-4789638dc851"
version

Tell the version of solfege the lessonfile is known to work with. This variable is not required, but it should be used because it can (but don't guarantee to) help avoid trouble if the lesson file format changes in the future. Example:

version = "3.0.7"
title

Short one-line description that will be used for creating the menu entry for the exercise. You should add this to all lesson files. Example:

title = "Minor and major chords in root position"
lesson_heading

A short heading that will be displayed above the exercise. It should say what the purpose of the exercise is. Some modules provide a default value, others leave the string empty. Example:

lesson_heading = _("Identify the chord")
help

This variable say which help file from the user manual will be displayed when the user presses F1. Example:

help = "idbyname-intonation"

By default, Solfege will display the help file that has the same name as the exercise module being used in the lesson file.

theory

This variable say which help file from the user manual will be displayed when the user presses F3. Pressing F3 should display music theory about the exercise. Don't include this variable if there are no music theory written. Example:

theory = "scales/maj"
random_transpose

In some exercises the program can transpose the music to create variation. The default value is yes. (The default value changed from no to yes in Solfege 3.0.)

Used in modules: chord, chordvoicing, harmonicprogressiondictation, idbyname, singanswer, singchord

Possible values

random_transpose = no

No transposition will be done.

random_transpose = yes

The exercise will do random transposition. What kind of transposition depends on the exercise, but you get a ok result from this. This is the default value.

random_transpose = accidentals, INTEGER1, INTEGER2

Transpose the question by random and make sure the key signature of the question does not get more than a certain number of accidentals. In this context, the number of accidentals can be described by an integer value. A negative value denote a number of flats (b), and a positive number denote a number o sharps (#). Zero mean no accidentals. The integers INTEGER1 and INTEGER2 defines a range of allowed number of accidentals.

For this transposition mode to work properly, the music in the lessonfile has to be in the keys c major or a minor, or the question must have a key variable telling the key signature.

random_transpose = key, INTEGER1, INTEGER2

Transpose the music INTEGER1 steps down or INTEGER2 steps up the circle of fifth. In this context up is more sharps and down is more flats. This is real transposition where both the key and the notes are transposed.

random_transpose = semitones, INTEGER1, INTEGER2

Transpose the music at most INTEGER1 semitones down or INTEGER2 semitones up. This is real transposition where both the key and the notes are transposed. You will easily end up with music in the keys with LOTS of accidentals.

enable_right_click = no

By default, Solfege will let the user right-click on buttons to hear the music they represent without guessing. Set this variable to no for lesson files where it does not make sense, for example in a idbyname lesson file where many questions have the same name.

Modules: idbyname, chordvoicing and chord.

disable_unused_intervals = no

By default, Solfege will make the buttons insensitive for intervals that are not being asked. Set this variable to no if you want all buttons to be sensitive.

Modules: harmonicinterval and melodicinterval.

ask_for_intervals_0

Select which intervals to ask for. 1 for minor second, 2 for major second, 3 or minor third etc. Use a negative number for descending intervals. To ask for more that one interval create the variables ask_for_intervals_1, ask_for_intervals_2 etc. In the following example Solfege will ask for two intervals. The first will be either a minor second or a major second, both intervals going up. And the second interval will be either major second or minor third, both intervals going down.

ask_for_intervals_0 = [1, 2]
ask_for_intervals_1 = [-2, -3]
    

Modules: melodicinterval and singinterval.

intervals

This variable tell which intervals should be asked for in exercises using the harmonicinterval module. 1 for minor second, 2 for major second, 3 or minor third etc. Example that will practise thirds:

intervals = [3, 4]

Modules: harmonicinterval.

test

This variable defines the test for the exercise. In a test, Solfege will ask all the questions in the lesson file a number of times. This variable is always used together with test_requirement. In the following example, each question will be asked 3 times:

test = "3x"

Modules: harmonicinterval, idbyname, melodicinterval and singinterval.

test_requirement

This variable defines how large percentage of the questions has to be answered correctly to pass the test. Example:

test_requirement = "90%"

Modules: harmonicinterval, idbyname, melodicinterval and singinterval.

have_repeat_arpeggio_button = yes

Set to yes if you want the exercise to have a "Repeat arpeggio" button.

Modules: singanswer.

have_music_displayer = yes

Set to yes if you want the question to have a music displayer.

In the idbyname module, setting this variable will add a music displayer where the program will display the answer when the user gives up or answers the question correctly. You might also want to read about at_question_start.

In the singanswer module, setting this variable will add a music displayer where the music will be displayed when the question is displayed.

Modules: idbyname, elembuilder and singanswer.

at_question_start

This variable changes what happens when the user clicks New. By default, Solfege will play the music when the user clicks New, and only display the music when the question is answered correctly and the have_music_displayer variable is set to yes. Setting this variable will also set have_music_displayer to yes.

at_question_start = show

The exercise will get a Play music button. When the user clicks New the music will be displayed in the music displayer, but no music is played. Click Play music to hear the music.

at_question_start = play

The exercise will get a Display music button. When the user clicks New the music is played. Click Display music to see the music.

at_question_start = show, play

When the user clicks New the music is both played and displayed.

Modules: idbyname, elembuilder and rhythmtapping2.

vmusic

This variable holds a representation of the question intended to be displayed. This can be necessary if the music is a .wav or .mp3 file. It will be used when the user clicks Show music or when the question is answered correctly (if we have a musicdisplayer). Added to idbyname in Solfege 2.5.1 and to elembuilder in 3.9.2.

Modules: idbyname and elembuilder.

rhythm_elements

A list of integers (1-34) telling what elementes we should use when creating questions. Example:

rhythm_elements = 0, 1, 2, 3, 4

0:c4 , 1:c8 c8 , 2:c16 c16 c16 c16 , 3:c8 c16 c16 , 4:c16 c16 c8 , 5:c16 c8 c16 , 6:c8. c16 , 7:c16 c8. , 8:r4 , 9:r8c8 , 10:r8 c16 c16 , 11:r16 c16 c8 , 12:r16c8c16 , 13:r16 c16 c16 c16 , 14:r8 r16 c16 , 15:r16 c8. , 16:c12 c12 c12 , 17:r12 c12 c12 , 18:c12 r12 c12 , 19:c12 c12 r12 , 20:r12 r12 c12 , 21:r12 c12 r12 , 22:c4. , 23:c4 c8 , 24:c8 c4 , 25:c8 c8 c8 , 26:c4 c16 c16 , 27:c16 c16 c4 , 28:c8 c8 c16 c16 , 29:c8 c16 c16 c8 , 30:c16 c16 c8 c8 , 31:c8 c16 c16 c16 c16 , 32:c16 c16 c8 c16 c16 , 33:c16 c16 c16 c16 c8 , 34:c16 c16 c16 c16 c16 c16

Modules: rhythm and rhythmtapping2

Variables that has been obsoleted

number_of_intervals = INTEGER

Made obsolete in Solfege 3.1.5. Solfege will find this number automatically now, so this variable is ignored.

Question block

Variables you can define in the question block

name

Questions written for the idbyname or the chord exercise modules need a name.

music

For most lesson files the music representing the question is assigned to this variable. Note that there is a shortcut. Instead of:

question {
  name = "Lisa gikk til skolen"
  music = music(...)"
}

you can write:

question {
  name = "Lisa gikk til skolen"
  music(...)
}

Music objects are documented in music objects”.

tempo

Set the tempo for this questions music. The variable is defined "beats per minute" / "notelen per beat". Example:

tempo = 150 / 4

This variable can also be defined globally for the whole lesson file. Do do so you should put it in the beginning of the file, outside any question blocks.

Modules: idbyname, chord, chordvoicing and rhythmtapping.

instrument

By default, Solfege will use the instrument specified on the preferences window when playing questions. This variable let you select a different instrument. Example:

instrument = "cello", 100

The instrument name has to be quoted. The integer is the velocity of the tones, and it should be in the range 0-127. You can see a list of instrument names in “Midi instrument names”. For lesson files where it makes sense, it is possible to specify three set of instruments. The following example will play bass for the lowest tone, piano in the middle and clarinet on the top tone:

instrument = "bass", 100, "acoustic grand", 100, "clarinet", 100

This variable can also be defined globally for the whole lesson file. Do do so you should put it in the beginning of the file, outside any question blocks.

Modules: idbyname, chord, singanswer and chordvoicing

music objects

Each question in your lesson files will define one or more music objects.

music

This is music entered completely following the music format FIXME spec. This means you have to enter complete code with a \staff command. Example:

variable = music("\staff\relative c' { c' d' }")
chord

Enter the tones from the lowest to the highest tone, like this:

variable = chord("c' e' g'")
satb

This type of music is used by the singchord exercises. It let you say which tones of a chord the different voices in a choir will sing. Take this, for example:

variable = satb("c''|e'|g|c")

The c'' will be sung by the soprano, e' by the alto, g by the tenor and c by the bass. Please notice that when this music is played in arpeggio, the tones to be sung by the women, will be played one octave deeper, of the user is a male. And vice versa if the user is a female or a child.

voice

This musictype saves some key strokes if you want to enter a melody.

variable = voice("c'4 c' g' g' | a' a' g'2")

is the same as

variable = music("\staff{ c'4 c' g' g' | a' a' g'2")
rvoice

rvoice is similar to voice except that the music is in \relative mode, relative to the first tone. The following two statements produce the same music:

variable = rvoice("c'4 c g' g | a a g2")
\staff\relative c'{ c4 c g' g' | a a g2 }
    
percussion

This music object provides a simple way to play rhythms with percussion instruments. Each tone represents a percussion instrument as defined in “Percussion instrument names”. In the following example, the tone c is translated to the midi sound Side Stick and d to a Mute triangle.

variable = rhythm("d4 d d d c8 c8 c4")

rhythm

This music object let you write questions that taps rhythms with the two instruments defined in the preferences window. The tone c will play the rhythm representing the question, and the tone d can be used if you want to write some sort of "count-in" before the question starts. Example:

rhythm("d4 d d d c8 c8 c4 c c8 c8")

You should only use two pitches, c and d. Other pitches will print a warning, but will still work in the current implementation. To play real percussion with many different instruments you should use the percussion music object.

midifile

Play a midi file. The path given to the file is relative to the directory the lesson file is stored in. Example:

variable = midifile("share/example.mid")
wavfile

Play a .wav file. The path given to the file is relative to the directory the lesson file is stored in. Example:

variable = wavfile("share/fifth-small-220.00.wav")
mp3file

Play a MP3 file. Similar to wavfile.

oggfile

Play an Ogg Vorbis file. Similar to wavfile.

cmdline

Run an external program. Example:

cmdline("./bin/csound-play-harmonic-interval.sh 220.000000 320.100000")

Functions

_

_ takes a string as its only argument. Use this if you want Solfege to translate the string for you. Example:

title = _("Bla bla title")
include

Includes another file. Example:

include("singchord-1")

The lesson header variables will be taken from the including lesson file. Only a variable is only defined in the included lesson file, and not in the including lesson file, then the value will be taken from the included file.

Operators

Operators can only be used on strings. + is used for joining strings, and % is similar to what you find in python, but it is very limited. It only know about %s. One example:

"\staff\relative c'{%s}" % "c d e"

evaluates to

\staff\relative c'{c d e}

The harmonicinterval module

User documentation is in “Intervalo harmônico”.

Here is a minimal lesson file:

header {
  module = harmonicinterval
  lesson_id = "a400df62-e007-4a1b-9057-cd05397e88a2"
  version = "3.1.4"
  title = "Seconds"
  intervals = [1, 2]
  test = "3x"
  test_requirement = "90%"
}

Additional variables you can put in the header. Click on the link to get an explanation:

The melodicinterval module

User documentation is in “Intervalo melódico”.

Here is a minimal lesson file:

header {
  module = melodicinterval
  lesson_id = "a400df62-e007-4a1b-9057-cd05397e88a2"
  version = "3.1.4"
  title = "Seconds and thirds"
  ask_for_intervals_0 = [1, 2, 3, 4, -1, -2, -3, -4]
  test = "3x"
  test_requirement = "90%"
}

Additional variables you can put in the header. Click on the link to get an explanation:

Tests are only partially implemented for the melodicinterval exercise module: tests where each question is made by more than one interval does not work yet.

The singinterval module

User documentation is in “Cantar intervalo”.

Here is a minimal lesson file:

header {
  module = singinterval
  lesson_id = "a400df62-e007-4a1b-9057-cd05397e88a2"
  version = "3.1.4"
  title = "Thirds"
  ask_for_intervals_0 = [3, 4]
  test = "3x"
  test_requirement = "90%"
}

The compareintervals module

Here is a minimal lesson file:

header {
    countin_perc = compareintervals
    title = "Compare intervals"
    lesson_id = "9f830e12-1f50-4fa9-8688-1e04469692fa"
}

This file will make an exercise that ask you to compare harmonic intervals. And since you do not say which intervals, it will ask for all intervals from a small second up to a major decim.

first_interval_type, second_interval_type

Let you select if the intervals you are asked to compare should be a melodic or a harmonic interval. The default value is melodic. Possible values: harmonic and melodic.

    first_interval_type = melodic
    second_interval_type = harmonic
    

Modules: compareintervals.

first_interval, last_interval

Select which intervals to select from when creating the questions. This variable should be defined the same way as ask_for_intervals_0. If these two variables are not defined, then the user will be able to select which intervals to practise from the Config page of the exercise.

Modules: compareintervals.

The idbyname module

Here is a minimal lesson file:

header {
  module = idbyname
  lesson_id = "a400df62-e007-4a1b-9057-cd05397e88a2"
  version = "3.1.4"
  title = "Menuitem title"
}
question {
 name = "Major"
 music = chord("c' e' g'")
}
question {
 name = "Minor"
 music = chord("c' es' g'")
}

Optional idbyname header variables

filldir = vertic

Tell the direction the buttons are filled. Default value is horiz.

Modules: idbyname.

fillnum

Tell how many buttons there are in each row or column. The default value is 1.

Modules: idbyname.

labelformat = progression

The default value is normal. Set to progression for lesson files where the name of the questions is a harmonic progression, written in a undocumented, but not difficult format. Check some existing lesson file to see how it works.

Modules: idbyname

have_repeat_slowly_button = yes

Set to yes if you want the exercise to have a "Repeat slowly" button.

Modules: idbyname.

See also at_question_start.

Optional question variables

vmusic

See vmusic.

cuemusic

Will be displayed in the music displayer when the user clicks New. Ignored if at_question_start = play, show or at_question_start = show, because then the content of music or vmusic is displayed when the user clicks New. (Added in Solfege 2.5.1)

The singanswer module

Here is a minimal lesson file:

header {
  module = singanswer
  lesson_id = "a400df62-e007-4a1b-9057-cd05397e88a2"
  version = "3.1.4"
  title = "Sing the root of the chord"
}
question {
    question_text = "Sing the root"
    music = chord("c' e' g'")
    answer = chord("c'")
}
question {
    question_text = "Sing the root"
    music = chord("a' c'' e''")
    answer = chord("a'")
}

Additional variables you can put in the header. Click on the link to get an explanation:

The rhythm module

Here is a minimal lesson file:

header {
  module = rhythm
  lesson_id = "7a4910be-de17-4ce3-9d15-78d48ccf945e"
  version = "3.1.4"
  title = "Easy rhythms"
  rhythm_elements = 1, 2, 3, 4
}
visible_rhythm_elements

Define this variable if you want more rhythm elements that the one to be asked for. This variable must include both the rhythm elements defined in rhythm_elements and the extra elements. Example:

rhythm_elements = 0, 1, 2, 3, 4, 5, 6
countin_perc

An integer value between 35 and 81, representing the percussion instrument used to give you the beat before the question. The default value is 80. Example:

countin_perc = 35
35 Acoustic Bass Drum 51 Ride Cymbal 1   67 High Agoga
36 Bass Drum          52 Chinece Cymbal  68 Agogo Low
37 Side Stick         53 Ride Bell       69 Cabasa
38 Acoustic Snare     54 Tambourine      70 Maracas
39 Hand Clap          55 Splash Cymbal   71 Short Whistle
40 Electric Snare     56 Cowbell         72 Long Whistle
41 Low Floor Tom      57 Crash cymbal 2  73 Short Guiro
42 Closed Hi Hat      58 Vibraslap       74 Long Guiro
43 High Floor Tom     59 Ride Cymbal 2   75 Claves
44 Pedal Hi Hat       60 Hi Bongo        76 Hi Wood Block
45 Low Tom            61 Low Bongo       77 Low Wood Block
46 Open HiHat         62 Mute Hi Conga   78 Mute Cuica
47 Low-Mid Tom        63 Open High Conga 79 Open Cuica
48 Hi-Mid Tom         64 Low Conga       80 Mute Triangle
49 Crash Cymbal 1     65 High Timbale    81 Open Triangle
50 High Tom           66 Low Timbale

Modules: rhythm

rhythm_perc

Same as countin_perc, but setting the instrument used to play the question. The default value is 37.

Modules: rhythm

count_in

The number of beats as count in. The default value is 2.

Modules: rhythm

bpm

The tempo, in beats per minute. The default value is 60.

Modules: rhythm

num_beats

The number of elements the question is made of. The default value is 4.

Modules: rhythm

The rhythmtapping module

Exercises using this module will play some music and then the user should tap the rhythm. The program will then say if the users rhythm is similar enough to the rhythm played by the computer.

Here is a minimal lesson file:

header {
  module = rhythmtapping
  lesson_id = "82b718e8-f174-446f-8297-58ddd17dae03"
  version = "3.7.0"
  title = "Rhythm tapping test"
}
question {
 music = rhythm("c4 c8 c8")
}
question {
 music = music("\staff\relative c'{c4 d8 e f4}\addvoice\relative c'{c4 b8 c a4}")
 rhythm = rhythm("c4 c8 c c4")
}

The first question in the example is very simple and self explaining. Solfege will play the rhythm defined in the music variable, and the user should tap that rhythm.

The second question is a little more complicated. Here Solfege will play the music defined in the music variable. And when the user taps the rhythm, Solfege will compare the users rhythm with the rhythm defined in the rhythm variable. The reason for using two variables is that Solfege is not smart enought to figure out the rhythm if you enter polyphonic music. It make noe difference if you set the rhythm variable to be a rhythm music object, or another single voice type like rvoice. This might change in the future. You as a lesson file author must make sure the rhythms in the two variables are in fact the same.

The rhythmtapping2 module

Solfege will play a generated rhythm, and the user should tap the same rhythm.

Here is a minimal lesson file:

header {
  module = rhythmtapping2
  lesson_id = "7a4916be-de47-42e3-9d15-78d48ccf945e"
  version = "3.7.0"
  title = "Rhythm tapping test"
  rhythm_elements = 1, 2, 3, 4
}

See also at_question_start.

The idtone module

Here is a minimal lesson file:

header {
    module = idtone
    title = "Id tone 3"
    lesson_id = "e263d70a-d8ff-4000-a7f2-c02ba087bf72"
    black_keys_weight =  0, 0,    0, 0, 0
    white_keys_weight = 1, 1, 1, 0, 0, 0, 0
}

The 'weight' of a tone tell how big chance is it that the program will select this tone as the next to identify. Think of the weight of a tone as the number of lottery tickets with the name of the tone.

The variable black_keys_weight set the weight of the tones c#, d#, f#, g# and a#, and white_keys_weight will set the weight of the tones c, d, e, f, g, a, b. In the example above, the tones c, d and e get an equal weight of 1, the other tones 0. This mean that the only tones that will be asked for are c, d and e, and that the three tones share the same probability to be selected.

The chord module

The chord module let you identify different properties of chords, such as their name, inversion, top tone etc.

The properties are defined by the props variable in the lesson file header, and there should be a variable prop_labels that defines the label to use. props and prop_labels must be lists of equal length. You only have to define these two variables if you need other properties than the default ones: name, inversion and toptone.

Below is a minimal lesson file. It will create an exercise that will play a minor or major chord and the user answers with two buttons labeled "Minor" and "Major" and two buttons representing the inversion. Notice that unused properties, toptone in this example, are hidden.

header {
    module = chord
    title = "Minor and major chords"
    lesson_id = "e263d40a-d8ff-4000-a7f2-c02ba087bf72"
    qprops = "name", "inversion", "toptone"
    qprop_labels = _("Chord type"), _("Inversion"), _("Toptone")
}
question {
  name = "Major"
  music = chord("c' e' g'")
  inversion = 0
}
question {
  name = "Minor"
  music = chord("es' g' c''")
  inversion = 1
}

The inversion property is special. If assigned integer values, like in the example, the integer values will be replaced with strings. So 0 is replaced with "root position", 1 with "1. inversion" etc.

The dictation module

Example:

header {
  module = dictation
  lesson_id = "a265df62-e007-4a1b-9057-cd05397e88a2"
  title = _("Norwegian children songs")
  version = "2.1.10"
}

question {
 name = "Bæ, bæ, lille lam"
 tempo = 130/4
 breakpoints = 2/1, 4/1, 8/1, 10/1, 12/1, 14/1
 music = rvoice("""
    \time 4/4
    c'2 g' | e4 e c2 | d4 d g, g | c1 |
    c2 g' | e4 e c2 | d4 d g, g | c1 |
    a'4 f f f | g2. e4 | f d d d | e2. c4 |
    a'2 f | g e4 e | f b, b b | c1 |
 """)
}
question {
 # this tempo definition overrides the global
 tempo = 160/4
 name = "Lisa gikk til skolen"
 breakpoints = 2/1, 4/1, 6/1
 music = rvoice("""
   \time 4/4 
   c' d e f | g2 g2 | a4 a a a | g1 |
   f4 f f f | e2 e | d4 d d d | c1
 """)
}

question {
 name = "Det satt to katter på et bord..."
 tempo = 96/4
 music = rvoice("""
     \key g \major \time 2/4
     d'8 | [g g] [fis e] | [fis g] a4 | [d,16 d d d] [e8 fis] | g2 """)
}

By default, the dictation exercise will show the first column of music, and then the user should write the rest. But if the first column is not good enough, for example if there are only rests on the first beat, these two variables can tell the program how much music to display:

clue_end

The following example will display the music on all staffs in the first quarter note:

clue_end=1/4
clue_music

This is an alternative to clue_end. The music assigned to clue_music will be shown to the user when he should start the dictation. You should not use both clue_end and clue_music in the same question.

breakpoints

Set breakpoints in the music, so you can hear the music in parts when doing the dictation.

The singchord module

Questions for this exercise need to have the key variable set if the key signature is anything else than ''c'' major (or ''a'' minor). Example:

header {
  module = singchord
  lesson_id = "a404df62-e037-6a1b-9027-cd05397e88a2"
  version = "3.1.4"
  title = "Simple chords"
}
question { music = "c''|e'|g|c" }
question { music = "a'|e'|c'|a" }
question { key="d \major" music = "a'|fis'|d'|d"}
question { key="f \minor" music = "as'|f'|c'|f"}

See also “Cantar acorde”.

The nameinterval module

Here is a minimal lesson file:

header {
    lesson_id = "5623c43e-f529-4376-a0c9-c7d533050360"
    module = nameinterval
    title = _("Fifths")
    intervals = p5, a5, d5
}
intervals

A list the the intervals to ask for. The intervals are written in a short form, a letter and a number, like d5 or m7. The letters are telling the interval quality are 'd' for diminished, 'a' for augmented, 'm' for minor, 'M' for major and 'p' for perfect.

tones

This variable sets the range of tones that can be used when constructing the intervals. The note names as to be quoted. The default value is "b", "g''". Example:

tones = "c'", "f''"  # valid
tones = c', f''      # not valid
accidentals

This variable defines how many accidentals the tones making the interval can have. The value 0 means no accidentals, 1 means that flats and sharps are allowed, and 2 means that double flats and double sharps are allowed. The default value is 1. Example:

accidentals = 2
clef

Set which clef to use. The default value is violin. Possible values: violin, treble, subbass, bass, baritone, varbaritone, tenor, alto, mezzosoprano and french. Example:

clef = bass

The elembuilder module

Here is a minimal lesson file:

element progI { label = "I" }
element progIV { label = "IV" }
element progV { label = "V" }

header {
    lesson_id = "3f3872c0-ef2e-4132-9fb1-97f75c7b28fd"
    module = elembuilder
    title = "progression test"
    elements = auto
    # uncomment if you want a music displayer.
    # have_music_displayer = yes
}

question {
 music = rvoice("<c' e g> <b d g> <c e g>")
 elements = progI, progV, progI
 name = "I-V-I"
}
question {
 music = rvoice("<c' e g> <c f a> <c e g>")
 elements = progI, progIV, progI
 name = "I-IV-I"
}

The element block

This block defines the elements the user can put together to answer the question. Each block is named by the string between element and {. The block defines one variable, label that is the label the button will get.

label can either be a plain string, or a progressionlabel. Progressionlabel strings are displayed a little larger than the default font, and a simple syntax let you get small subscript and superscript numbers. Try I-(6,4)V(6,4)-I or I-IV(6)-V(6)-I to get an idea how it works.

The header block

elements

This variable defines which elements to display. Set this to auto to display all elements that are needed to answer the questions in the lesson file. You can display more elements that needed to make it more difficult for the user. An example:

elements = progI, progIV, progV, progIV, progV_6
music_displayer_stafflines

Set this if you want the music displayer to show more than one empty staff line when the music displayer have no music to display.

See also at_question_start.

The question block

elements

This variable defines which elements defines the question.

tonic

The exercise will have a "Play tonic" button if this variable is defined in a question in the lesson file. The variable should contain some music to play to the user so that he knows the tonic of the question. This can be useful in harmonic progressions that does not start on the tonic. This variable is optional. Example:

tonic = chord("c e g")

See also vmusic.

Midi instrument names

         acoustic grand          contrabass      lead 7 (fifths)
        bright acoustic     tremolo strings   lead 8 (bass+lead)
         electric grand   pizzicato strings      pad 1 (new age)
             honky-tonk  orchestral strings         pad 2 (warm)
       electric piano 1             timpani    pad 3 (polysynth)
       electric piano 2   string ensemble 1        pad 4 (choir)
            harpsichord   string ensemble 2        pad 5 (bowed)
                   clav      synthstrings 1     pad 6 (metallic)
                celesta      synthstrings 2         pad 7 (halo)
           glockenspiel          choir aahs        pad 8 (sweep)
              music box          voice oohs          fx 1 (rain)
             vibraphone         synth voice    fx 2 (soundtrack)
                marimba       orchestra hit       fx 3 (crystal)
              xylophone             trumpet    fx 4 (atmosphere)
          tubular bells            trombone    fx 5 (brightness)
               dulcimer                tuba       fx 6 (goblins)
          drawbar organ       muted trumpet        fx 7 (echoes)
       percussive organ         french horn        fx 8 (sci-fi)
             rock organ       brass section                sitar
           church organ        synthbrass 1                banjo
             reed organ        synthbrass 2             shamisen
              accordion         soprano sax                 koto
              harmonica            alto sax              kalimba
             concertina           tenor sax              bagpipe
acoustic guitar (nylon)        baritone sax               fiddle
acoustic guitar (steel)                oboe               shanai
 electric guitar (jazz)        english horn          tinkle bell
electric guitar (clean)             bassoon                agogo
electric guitar (muted)            clarinet          steel drums
      overdriven guitar             piccolo            woodblock
       distorted guitar               flute           taiko drum
       guitar harmonics            recorder          melodic tom
          acoustic bass           pan flute           synth drum
 electric bass (finger)        blown bottle       reverse cymbal
   electric bass (pick)          skakuhachi    guitar fret noise
          fretless bass             whistle         breath noise
            slap bass 1             ocarina             seashore
            slap bass 2     lead 1 (square)           bird tweet
           synth bass 1   lead 2 (sawtooth)       telephone ring
           synth bass 2   lead 3 (calliope)           helicopter
                 violin      lead 4 (chiff)             applause
                  viola    lead 5 (charang)              gunshot
                  cello      lead 6 (voice)

Percussion instrument names

The first column is the integer value for the instrument. The second column tell the name of the note you should enter in the rhythm music object.

35 b,,   Acoustic Bass Drum   59 b     Ride Cymbal 2
36 c,    Bass Drum 1          60 c'    Hi Bongo
37 cis,  Side Stick           61 cis'  Low Bongo
38 d,    Acoustic Snare       62 d'    Mute Hi Conga
39 dis,  Hand Clap            63 dis'  Open High Conga
40 e,    Electric Snare       64 e'    Low Conga
41 f,    Low Floor Tom        65 f'    High Timbale
42 fis,  Closed Hi Hat        66 fis'  Low Timbale
43 g,    High Floor Tom       67 g'    High Agogo
44 gis,  Pedal Hi Hat         68 gis'  Agogo Low
45 a,    Low Tom              69 a'    Cabasa
46 ais,  Open HiHat           70 ais'  Maracas
47 b,    Low-Mid Tom          71 b'    Short Whistle
48 c     Hi-Mid Tom           72 c''   Long Whistle
49 cis   Crash Cymbal 1       73 cis'' Short Guiro
50 d     High Tom             74 d''   Long Guiro
51 dis   Ride Cymbal 1        75 dis'' Claves
52 e     Chinese Cymbal       76 e''   Hi Wood Block
53 f     Ride Bell            77 f''   Low Wood Block
54 fis   Tambourine           78 fis'' Mute Cuica
55 g     Splash Cymbal        79 g''   Open Cuica
56 gis   Cowbell              80 gis'' Mute Triangle
57 a     Crash Cymbal 2       81 a''   Open Triangle
58 ais   Vibraslap

GNU General Public License

Version 2, June 1991

Free Software Foundation, Inc. 
  51 Franklin Street, Fifth Floor
  Boston
  MA 
  02110-1301
  USA

Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed.

Version 2, June 1991

Preamble

The licenses for most software are designed to take away your freedom to share and change it. By contrast, the GNU General Public License is intended to guarantee your freedom to share and change free software - to make sure the software is free for all its users. This General Public License applies to most of the Free Software Foundation's software and to any other program whose authors commit to using it. (Some other Free Software Foundation software is covered by the GNU Library General Public License instead.) You can apply it to your programs, too.

When we speak of free software, we are referring to freedom, not price. Our General Public Licenses are designed to make sure that you have the freedom to distribute copies of free software (and charge for this service if you wish), that you receive source code or can get it if you want it, that you can change the software or use pieces of it in new free programs; and that you know you can do these things.

To protect your rights, we need to make restrictions that forbid anyone to deny you these rights or to ask you to surrender the rights. These restrictions translate to certain responsibilities for you if you distribute copies of the software, or if you modify it.

For example, if you distribute copies of such a program, whether gratis or for a fee, you must give the recipients all the rights that you have. You must make sure that they, too, receive or can get the source code. And you must show them these terms so they know their rights.

We protect your rights with two steps:

  1. copyright the software, and

  2. offer you this license which gives you legal permission to copy, distribute and/or modify the software.

Also, for each author's protection and ours, we want to make certain that everyone understands that there is no warranty for this free software. If the software is modified by someone else and passed on, we want its recipients to know that what they have is not the original, so that any problems introduced by others will not reflect on the original authors' reputations.

Finally, any free program is threatened constantly by software patents. We wish to avoid the danger that redistributors of a free program will individually obtain patent licenses, in effect making the program proprietary. To prevent this, we have made it clear that any patent must be licensed for everyone's free use or not licensed at all.

The precise terms and conditions for copying, distribution and modification follow.

TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION

Section 0

This License applies to any program or other work which contains a notice placed by the copyright holder saying it may be distributed under the terms of this General Public License. The "Program", below, refers to any such program or work, and a “work based on the Program ” means either the Program or any derivative work under copyright law: that is to say, a work containing the Program or a portion of it, either verbatim or with modifications and/or translated into another language. (Hereinafter, translation is included without limitation in the term “modification ”.) Each licensee is addressed as “you”.

Activities other than copying, distribution and modification are not covered by this License; they are outside its scope. The act of running the Program is not restricted, and the output from the Program is covered only if its contents constitute a work based on the Program (independent of having been made by running the Program). Whether that is true depends on what the Program does.

Section 1

You may copy and distribute verbatim copies of the Program's source code as you receive it, in any medium, provided that you conspicuously and appropriately publish on each copy an appropriate copyright notice and disclaimer of warranty; keep intact all the notices that refer to this License and to the absence of any warranty; and give any other recipients of the Program a copy of this License along with the Program.

You may charge a fee for the physical act of transferring a copy, and you may at your option offer warranty protection in exchange for a fee.

Section 2

You may modify your copy or copies of the Program or any portion of it, thus forming a work based on the Program, and copy and distribute such modifications or work under the terms of Section 1 above, provided that you also meet all of these conditions:

  1. You must cause the modified files to carry prominent notices stating that you changed the files and the date of any change.

  2. You must cause any work that you distribute or publish, that in whole or in part contains or is derived from the Program or any part thereof, to be licensed as a whole at no charge to all third parties under the terms of this License.

  3. If the modified program normally reads commands interactively when run, you must cause it, when started running for such interactive use in the most ordinary way, to print or display an announcement including an appropriate copyright notice and a notice that there is no warranty (or else, saying that you provide a warranty) and that users may redistribute the program under these conditions, and telling the user how to view a copy of this License.

    Exception:

    If the Program itself is interactive but does not normally print such an announcement, your work based on the Program is not required to print an announcement.)

These requirements apply to the modified work as a whole. If identifiable sections of that work are not derived from the Program, and can be reasonably considered independent and separate works in themselves, then this License, and its terms, do not apply to those sections when you distribute them as separate works. But when you distribute the same sections as part of a whole which is a work based on the Program, the distribution of the whole must be on the terms of this License, whose permissions for other licensees extend to the entire whole, and thus to each and every part regardless of who wrote it.

Thus, it is not the intent of this section to claim rights or contest your rights to work written entirely by you; rather, the intent is to exercise the right to control the distribution of derivative or collective works based on the Program.

In addition, mere aggregation of another work not based on the Program with the Program (or with a work based on the Program) on a volume of a storage or distribution medium does not bring the other work under the scope of this License.

Section 3

You may copy and distribute the Program (or a work based on it, under Section 2 in object code or executable form under the terms of Sections 1 and 2 above provided that you also do one of the following:

  1. Accompany it with the complete corresponding machine-readable source code, which must be distributed under the terms of Sections 1 and 2 above on a medium customarily used for software interchange; or,

  2. Accompany it with a written offer, valid for at least three years, to give any third party, for a charge no more than your cost of physically performing source distribution, a complete machine-readable copy of the corresponding source code, to be distributed under the terms of Sections 1 and 2 above on a medium customarily used for software interchange; or,

  3. Accompany it with the information you received as to the offer to distribute corresponding source code. (This alternative is allowed only for noncommercial distribution and only if you received the program in object code or executable form with such an offer, in accord with Subsection b above.)

The source code for a work means the preferred form of the work for making modifications to it. For an executable work, complete source code means all the source code for all modules it contains, plus any associated interface definition files, plus the scripts used to control compilation and installation of the executable. However, as a special exception, the source code distributed need not include anything that is normally distributed (in either source or binary form) with the major components (compiler, kernel, and so on) of the operating system on which the executable runs, unless that component itself accompanies the executable.

If distribution of executable or object code is made by offering access to copy from a designated place, then offering equivalent access to copy the source code from the same place counts as distribution of the source code, even though third parties are not compelled to copy the source along with the object code.

Section 4

You may not copy, modify, sublicense, or distribute the Program except as expressly provided under this License. Any attempt otherwise to copy, modify, sublicense or distribute the Program is void, and will automatically terminate your rights under this License. However, parties who have received copies, or rights, from you under this License will not have their licenses terminated so long as such parties remain in full compliance.

Section 5

You are not required to accept this License, since you have not signed it. However, nothing else grants you permission to modify or distribute the Program or its derivative works. These actions are prohibited by law if you do not accept this License. Therefore, by modifying or distributing the Program (or any work based on the Program), you indicate your acceptance of this License to do so, and all its terms and conditions for copying, distributing or modifying the Program or works based on it.

Section 6

Each time you redistribute the Program (or any work based on the Program), the recipient automatically receives a license from the original licensor to copy, distribute or modify the Program subject to these terms and conditions. You may not impose any further restrictions on the recipients' exercise of the rights granted herein. You are not responsible for enforcing compliance by third parties to this License.

Section 7

If, as a consequence of a court judgment or allegation of patent infringement or for any other reason (not limited to patent issues), conditions are imposed on you (whether by court order, agreement or otherwise) that contradict the conditions of this License, they do not excuse you from the conditions of this License. If you cannot distribute so as to satisfy simultaneously your obligations under this License and any other pertinent obligations, then as a consequence you may not distribute the Program at all. For example, if a patent license would not permit royalty-free redistribution of the Program by all those who receive copies directly or indirectly through you, then the only way you could satisfy both it and this License would be to refrain entirely from distribution of the Program.

If any portion of this section is held invalid or unenforceable under any particular circumstance, the balance of the section is intended to apply and the section as a whole is intended to apply in other circumstances.

It is not the purpose of this section to induce you to infringe any patents or other property right claims or to contest validity of any such claims; this section has the sole purpose of protecting the integrity of the free software distribution system, which is implemented by public license practices. Many people have made generous contributions to the wide range of software distributed through that system in reliance on consistent application of that system; it is up to the author/donor to decide if he or she is willing to distribute software through any other system and a licensee cannot impose that choice.

This section is intended to make thoroughly clear what is believed to be a consequence of the rest of this License.

Section 8

If the distribution and/or use of the Program is restricted in certain countries either by patents or by copyrighted interfaces, the original copyright holder who places the Program under this License may add an explicit geographical distribution limitation excluding those countries, so that distribution is permitted only in or among countries not thus excluded. In such case, this License incorporates the limitation as if written in the body of this License.

Section 9

The Free Software Foundation may publish revised and/or new versions of the General Public License from time to time. Such new versions will be similar in spirit to the present version, but may differ in detail to address new problems or concerns.

Each version is given a distinguishing version number. If the Program specifies a version number of this License which applies to it and "any later version", you have the option of following the terms and conditions either of that version or of any later version published by the Free Software Foundation. If the Program does not specify a version number of this License, you may choose any version ever published by the Free Software Foundation.

Section 10

If you wish to incorporate parts of the Program into other free programs whose distribution conditions are different, write to the author to ask for permission. For software which is copyrighted by the Free Software Foundation, write to the Free Software Foundation; we sometimes make exceptions for this. Our decision will be guided by the two goals of preserving the free status of all derivatives of our free software and of promoting the sharing and reuse of software generally.

NO WARRANTY Section 11

BECAUSE THE PROGRAM IS LICENSED FREE OF CHARGE, THERE IS NO WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY APPLICABLE LAW. EXCEPT WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT HOLDERS AND/OR OTHER PARTIES PROVIDE THE PROGRAM "AS IS" WITHOUT WARRANTY OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE. THE ENTIRE RISK AS TO THE QUALITY AND PERFORMANCE OF THE PROGRAM IS WITH YOU. SHOULD THE PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF ALL NECESSARY SERVICING, REPAIR OR CORRECTION.

Section 12

IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MAY MODIFY AND/OR REDISTRIBUTE THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS), EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.

END OF TERMS AND CONDITIONS

How to Apply These Terms to Your New Programs

If you develop a new program, and you want it to be of the greatest possible use to the public, the best way to achieve this is to make it free software which everyone can redistribute and change under these terms.

To do so, attach the following notices to the program. It is safest to attach them to the start of each source file to most effectively convey the exclusion of warranty; and each file should have at least the "copyright" line and a pointer to where the full notice is found.

<one line to give the program's name and a brief idea of what it does.> Copyright (C) <year> <name of author>

This program is free software; you can redistribute it and/or modify it under the terms of the GNU General Public License as published by the Free Software Foundation; either version 2 of the License, or (at your option) any later version.

This program is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General Public License for more details.

You should have received a copy of the GNU General Public License along with this program; if not, write to the Free Software Foundation, Inc., 51 Franklin Street, Fifth Floor, Boston, MA 02110-1301, USA

Also add information on how to contact you by electronic and paper mail.

If the program is interactive, make it output a short notice like this when it starts in an interactive mode:

Gnomovision version 69, Copyright (C) year name of author Gnomovision comes with ABSOLUTELY NO WARRANTY; for details type `show w'. This is free software, and you are welcome to redistribute it under certain conditions; type `show c' for details.

The hypothetical commands `show w' and `show c' should show the appropriate parts of the General Public License. Of course, the commands you use may be called something other than `show w' and `show c'; they could even be mouse-clicks or menu items--whatever suits your program.

You should also get your employer (if you work as a programmer) or your school, if any, to sign a "copyright disclaimer" for the program, if necessary. Here is a sample; alter the names:

Yoyodyne, Inc., hereby disclaims all copyright interest in the program `Gnomovision' (which makes passes at compilers) written by James Hacker.

<signature of Ty Coon>, 1 April 1989 Ty Coon, President of Vice

This General Public License does not permit incorporating your program into proprietary programs. If your program is a subroutine library, you may consider it more useful to permit linking proprietary applications with the library. If this is what you want to do, use the GNU Library General Public License instead of this License.

Apêndice B. Não realmente documentação...

Não realmente documentação...

Este apêndice contém o arquivo que é mostrado quando o programa inicia, antes do usuário selecionar um exercício.

Bem vindo ao GNU Solfege

Solfege é um programa livre para treino de audição. O programa é parte do Projeto GNU. Cheque “Recursos online” para informações sobre listas de email e onde obter a última versão do Solfege.

Select a exercise from the menu to start practising, or click here to read the user manual.

Uma das idéias deste programa é que você possa estender o programa sem ter que mergulhar no código fonte. Se você quer praticar alguns acordes especiais ou praticar dicção com alguma música não incluída, você pode escrever arquivos de lição e colocá-los em um subdiretório lessonfiles/ no seu diretório pessoal $HOME. Se você criar bons arquivos de lição, você realmente deve considerar compartilhá-los enviando para a lista de email para que possamos adicioná-los à próxima versão do programa.