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Major triads are entered by including the root and an optional duration:
\chordmode { c2 f4 g }
Minor, augmented, and diminished triads are entered by placing
:
and a quality modifier string after the duration:
\chordmode { c2:m f4:aug g:dim }
Seventh chords can be created:
\chordmode { c1:7 c:m7 c:maj7 c:dim7 c:aug7 }
The table belows shows the actions of the quality modifiers on triads and seventh chords. The default seventh step added to chords is a minor or flatted seventh, which makes the dominant seventh the basic seventh chord. All alterations are relative to the dominant seventh. A more complete table of modifier usage is found at Common chord modifiers.
Modifier | Action |
Example
|
None | The default action; produces a major triad. |
|
m, m7 | The minor chord. This modifier lowers the 3rd. |
|
dim, dim7 | The diminished chord. This modifier lowers the 3rd, 5th and (if present) the 7th step. |
|
aug | The augmented chord. This modifier raises the 5th step. |
|
maj, maj7 |
The major 7th chord. This modifier adds a raised 7th step. The
7 following maj is optional. Do NOT use this modifier
to create a major triad.
|
|
Notation Reference: Common chord modifiers, Extended and altered chords.
Snippets: Chords.
Only one quality modifier should be used per chord, typically on the highest step present in the chord. Chords with more than quality modifier will be parsed without an error or warning, but the results are unpredictable. Chords that cannot be achieved with a single quality modifier should be altered by individual pitches, as described in Extended and altered chords.