Grooves, in some ways, are MMA's answer to macros...but we think they are cooler, easier to use, and have a more musical name.
Really, though, a groove is just a simple mechanism for saving and restoring a set of patterns and sequences. Using grooves it is easy to create sequence libraries which can be incorporated into your songs with a single command.
A groove can be created at anytime in an input file with the command:
DefGroove SlowRhumba |
Optionally, you can include a documentation string to the end of this command:
DefGroove SlowRumba A descriptive comment! |
A groove name can include any character, including digits and punctuation. However, it cannot include a '/'6.1.
In normal operation the documentation strings are ignored. However, when MMA is run with the -Dx command line option these strings are printed to the terminal screen in LATEX format. The standard library document is generated from this data. The comments must be suitable for LATEX: this means that special symbols like ``#'', ``&'', etc. must be ``quoted'' with a preceding `` \''.
At this point the following information is saved:
You can restore a previously defined groove a anytime in your song with:
Groove Name |
At this point all of the previously saved information is restored.
A few cautions:
To make the creation of variations easier, you can use Groove in a track setting:
Scale Groove Funny |
In this case only the information saved in the corresponding DefGroove Funny for the Scale track will be restored. You might think of this as a ``groove overlay''. Have a look at the sample song ``Yellow Bird'' for an example.
When restoring track grooves, as in the above example, the SeqSize is not reset. The sequence size of the restored track is adjusted to fit the current sequence size setting.
One caution with these ``overlays'' is that no check is done to see if the track you're using exists. Yes, the Groove must have been defined, but not the track. Huh? Well, you need to know a bit about how MMA parses files and how it handles new tracks. When MMA reads a line in a file it first checks to see if the first word on the line is a simple command like Print, MIDI or any other command which doesn't require a leading trackname. If it is, the appropriate function is called and file parsing continues. If it is not a simple command MMA tests to see if it is a track specific command. But to do that, it first has to test the first word to see if it is a valid track name like Bass or Chord-Major. And, if it is a valid track name and that track doesn't exist, the track is created...this is done before the rest of the command is processed. So, if you have a command like:
Bass-Foo Groove Something |
and you really meant to type:
Bass-Foe Groove Something |
you'll have a number of things happening:
So, be very careful using this command option. Check your spelling. And use the PrintActive command to verify your Groove creations.
If you are using a groove from a library file, you just need to do something like:
Groove Rhumba2 |
at the appropriate position in your input file.
One minor problem which may arise is that more than one library file has defined the same groove name. This might happen if you have a third-party library file. For the proposes of this example, lets assume that the standard library file ``rhumba.mma'' and a second file ``xyz-rhumba.mma'' both define the groove ``Rhumba2''. The auto-load routines () which search the library database will load the first ``Rhumba2'' it finds, and the search order cannot be determined. To overcome this possible problem, do a explicit loading of the correct file. In this case, simply do:
Use xyz-rhumba |
near the top of your file. And if you wish to switch to the groove defined in the standard file, you can always do:
Use rhumba |
just before the groove call. The Use will read the specified file and overwrite the old definition of ``Rhumba2'' with its own.